STRUTS is an algorithmic narrative collage created from a collection of fragments of facts and fictions pertaining to a place and its people, history, geography and storm events. Narrative resonates in the spaces between the texts horizontally scrolling across the screen, the flickering updating of monthly tide gauge averages, the occasional appearance of live weather weather warnings pulled in by RSS feed and the animated set of photographs of the ends of the struts that support the seawall that protectsa portion of foreshore from the rising tides of the Northumberland Strait. The photographs were taken on May 23, 2011 the second day of a five-week stint as Open Studio Artist in Residence at Struts Gallery and Faucet Media Lab, Sackville, New Brunswick, Canada, May 22 – June 26, 2011. The Saxby Gale of 1869 is the storm we compare all possible storms to. The tide gauge data represents the monthly tide gauge averages for Shediac Bay from the month I was born to the month I moved from Canada to England. The gauge that measured these averages was destroyed in the same storm surge that damaged the struts in the photographs, onl the night of 21 December 2010. The Tantramar Marsh text is excerpted from Writing Coastlines: The Operation of Estuaries, Islands and Beaches as Liminal Spaces in the Writings of Elizabeth Bishop, a paper written in residence at Struts and presented at "It Must Be Nova Scotia: Negotiating Place in the Writings of Elizabeth Bishop" which took place at University of King's College, Halifax, Nova Scotia, Canada, June 10-12, 2011.