In this Flash hypertext, Coverley weaves a tapestry of text, image, and sound, telling a California story that many readers can relate to. In this piece, the sky itself is the center of a meditation on memory and loss across decades of human experience. The same "blue sky" that often refers to people's wildest dreams now comes to represent boundaries and fears.

Author description: Accounts of the Glass Sky is an exploration of disillusion and loss of the past. I began Glass Sky (August 2001) with photographs of skyscrapers in the LA downtown and a stack of old images from a shoebox. My intention was to weave a story around the images of the people — using the buildings to frame a Flash interface. I was still working on the storyline on September 11, 2001. For weeks following, I was unable to continue. I could no longer envision an unbroken narrative connection between "before" and "after" — that was when I realized Glass Sky was not about the buildings, but about the sky itself. In this piece, I tried to capture the experience of fluid negotiation between a past that we think we know and a present/future we recognize only in the moment of transmutation. Text and image in movement already signal a kind of narrative; however, this "story" is characterized not by image, text, or sound, but by the oscillations among them. The black-and-white photos, seemingly windowed in the glass facade of a skyscraper (or stone circle), suggest a time when we might have believed in the reliability of our senses.

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